‘Andrew Taylor is a master story-teller’ Daily Telegraph
From the No.1 bestselling author of The Ashes of London and The Fire Court, this is the first instalment in the acclaimed Lydmouth series
Workmen in the small market town of Lydmouth are demolishing an old cottage. A sledgehammer smashes into what looks like a solid wall. Instead, layers of wallpaper conceal the door of a locked cupboard which holds a box – and in the box is the skeleton of a young baby.
Items within the box suggest that the baby was entombed early in the nineteenth century, but when another man is also found dead, the evidence suggests that the baby’s death is more recent and that a killer is on the loose. For Journalist Jill Francis, newly arrived from London, this looks like her first story to chase …
‘An excellent writer. He plots with care and intelligence and the solution to the mystery is satisfyingly chilling’ The Times
‘The most under-rated crime writer in Britain today’ Val McDermid
‘There is no denying Taylor’s talent, his prose exudes a quality uncommon among his contemporaries’ Time Out
From the No.1 bestselling author of The Ashes of London and The Fire Court, this is the first instalment in the acclaimed Lydmouth series
Workmen in the small market town of Lydmouth are demolishing an old cottage. A sledgehammer smashes into what looks like a solid wall. Instead, layers of wallpaper conceal the door of a locked cupboard which holds a box – and in the box is the skeleton of a young baby.
Items within the box suggest that the baby was entombed early in the nineteenth century, but when another man is also found dead, the evidence suggests that the baby’s death is more recent and that a killer is on the loose. For Journalist Jill Francis, newly arrived from London, this looks like her first story to chase …
‘An excellent writer. He plots with care and intelligence and the solution to the mystery is satisfyingly chilling’ The Times
‘The most under-rated crime writer in Britain today’ Val McDermid
‘There is no denying Taylor’s talent, his prose exudes a quality uncommon among his contemporaries’ Time Out
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Reviews
The most under-rated crime writer in Britain today
Captures perfectly the drab atmosphere and cloying morality of the 1950s . . . Taylor is an excellent writer. He plots with care and intelligence and the solution to the mystery is satisfyingly chilling
There is no denying Taylor's talent, his almost Victorian prose exudes a quality uncommon among his contemporaries... his eye for detail and an enviable ability to dissect relationships and communal habits make for a pleasurable read
Engrossing launch of a series . . . Taylor subtly weaves the threads of this thoughtful, melancholy tale until they become an interlaced whole before the reader's eyes